The cheesy themes to represent the antagonist King K. Most of the other themes expected from the game are also present, such as racing mine cart track, the jazz-influenced Candy's tune, or the unforgettable jingles to portray Cranky and Funky. They can be generic on a stand-alone basis, though they're very effective in the game and occasionally showcase orchestral brilliance during their development. The boss themes featured for the Angry Aztec, Gloomy Galleon, and Fungi Forest tend to be fast-paced orchestral variations on the level themes. The rest of the soundtrack features the various action and event themes from the game.
In the game, each theme is arranged multiple times in simple ways to represent the changing environments, though the soundtrack appropriately focuses on just the original theme. Other additions include a Banjo-Kazooie influenced dance to portray "Fungi Forest" during the daytime and a beautiful depiction of the "Crystal Caves" with pizzicato strings and tuned percussion. "Gloomy Galleon" deviates a little by predominantly focusing on the miserable ambient sections at the start of the piece, although there are more colourful and nautical passages later on. However, it's definitely "Creepy Castle" that contains the most horror parodies with its organ backing and haunting laughs, though Kirkhope's characteristic light-hearted lyricism remains as prominent as ever. "Frantic Factory" meanwhile gives a sinister image of clockwork toys coming alive with a focus on tuned percussion, metronomic features, and pseudo-horror passages. "Angry Aztec", for example, features intricately shaped melodies and distinctive instrumentation stereotypical of ancient civilizations and accessible to people of all ages. The various worlds for the game are each portrayed by a fitting and memorable theme. A synthesized big band provides a jazzy take on the melody while boisterous percussion and animal sound effects bring the jungle to life. The other iconic theme on the soundtrack is the enjoyable arrangement of the Donkey Kong Country main theme for the "Jungle Japes" level. Subsequently the relaxing flute-based theme for "DK Island" nicely establishes a worldly feel for the game. Many will want to skip this one, although revisiting it is bound to bring back strong memories. However, the lyrics are so cringe-worthy ten years on with lines such as "He's finally back to kick some tail" even winning dubious awards. This works amusingly with the visuals and helps to establish their personalities from the outset. One good thing about the rap is how each verse is dedicated to one of the five characters of the game and even features accompaniment by each of their instruments. Opinions were initially mixed about this track, some finding it a fun accompaniment to the title screen and yet more people finding it an abomination to rap music. The soundtrack is opened by the infamous "DK Rap". The Donkey Kong 64 Official Soundtrack and Donkey Kong 64 Soundtrack CD were two commercial releases featuring identical music that attempted to achieve this. It was a challenge to select the tonne of tracks from the original score into a single one disc soundtrack release.
However, they also carefully adapted to the new gameplay by offering multiple variations of each level theme that varied according to the environment. The composers Grant Kirkhope and Eveline Novakovic ensured that the series' characteristic melodiousness and diversity was kept alive.
DONKEY KONG COUNTRY 64 BOSS MUSC SERIES
The game was a significant departure for the series since it offered expansive 3D levels similar to Banjo-Kazooie instead of the 2D platforming of the Donkey Kong Country series. Many Nintendo 64 gamers spent countless hours playing Donkey Kong 64 around the turn of the century. Donkey Kong 64 Official Soundtrack :: Review by Chris
0 kommentar(er)
